Showing posts with label Photographic. Show all posts
Showing posts with label Photographic. Show all posts

Three Photographic Acronyms Are Explained (Part 1 of 2)

Have you ever been shopping for a camera, but been bamboozled by a barrage of acronyms that you didn't recognise?

Sure, they all sound great, but it's useful to understand what they mean so that you can choose the right camera. Part one of this article will clear up three of six acronyms that you're sure to encounter.

DSLR

A Digital Single-Lens Reflex camera combines a single-lens reflex camera (SLR) with a digital camera back. But what does this mean for you and your photography?

You'll be able to capture shots exactly as you see them, as opposed to having colours skewed in preparation for print. And you capture them as digital photos, rather than images recorded to film. This 'what you see is what you get' principle is achieved through the camera's mirror-and-prism format which works as follows: light passes through the lens and bounces upwards off a mirror into a prism, which reflects the light through the viewfinder to the human eye.

DSLR cameras boast several other benefits, including the fact that they enable users to capture images of a very high quality. This is due to the large electronic imaging sensor used by the digital camera.

And the ability to change lenses gives you great versatility because a lens can affect many aspects of a photo, including the colour, contrast, clarity and saturation.

Another benefit of DSLR cameras is their near-zero lag time, which is the time between the user pressing the shutter and the camera capturing the shot. This is particularly helpful in action photography where you might only have a split second to get the perfect picture.

HDR

High Dynamic Range, an idea conceived as early as 1850, is a photographic technique. It enables the user to capture a greater range of light-to-dark areas in a photo than would be possible in a standard camera shot. The outcome means improved accuracy in the photo's intensity levels.

The technique is achieved by capturing several shots simultaneously (known as bracketing), even though the shutter has only been pressed once. These captured images are all shot at different exposure levels and, when merged, give a more accurate representation of the light-to-dark range.

HDR is measured in EV (Exposure Value) differences, which determine contrast. A DSLR camera has a contrast of 2048:1; twice that of a standard digital camera which is 1024:1.

HDR images are often known as 'scene-referred' because they more closely reflect what the human eye sees than standard photos.

ISO

Derived from the International Organisation for Standardisation, ISO originally referred to the speed of photographic negative materials. It denotes the sensitivity to the amount of light in a shot.

Simply put, the higher the ISO, the more sensitive the film is to light and the better your shots will be in a low-light scene. In daylight, a setting of no more than 100 is ideal. In low light, the camera needs a bit of help, which you can provide by increasing the ISO.

This can also be useful when you are taking action shots because it reduces the likelihood of a blurred image. However, be wary of going too high with your ISO setting; this will cause noise to appear.

Most cameras have an automatic ISO setting that adjusts according to the amount of light in a scene. If you do need to choose a high ISO value, to create artistic effects for example, you're better doing it with a DSLR camera. They provide a larger electronic imaging sensor, which gives you a broader ISO range than a point-and-shoot digital camera.

The three acronyms above should give you some idea of what to look for when it comes to buying a camera. But to be fully prepared, have a look at another three acronyms in part two.

Peter White is employed by Serif, a leading developer of software for home and small business use. Serif sells a range of software for photo editing, which includes PhotoPlus, a feature rich photo editing software package and PhotoPlus Starter Edition, a free photo editing software suite for novices.


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Intriguing Ideas for Eye Catching Photographic Images - Part 2

Wonder is a sense of awe and joy and surprise. Our world is full of wonder for those with eyes to see. There are many fun ways to create wonder through images created through the use of Digital SLR cameras. Besides the "middle-earth hobbit land" image and the eerie "banded ball of light image" described in my earlier Ezine article, this article describes four further image ideas which will intrigue and entertain your friends through the use of a Digital SLR camera. Some images will require simple extras like a flashlight or laser pen.

Idea One: Kids and grown-ups delight in the tale of the headless horseman. An image which is sure to please is the invisible man on a bicycle. The bicycle is clearly visible and has sneakers on each of the two peddles. At the seat of the bicycle is a pair of shorts and above the shorts is a tee shirt. Both the tee shirt and the shorts match the contours of a body but the body is not visible and there is no head. With the bike on a roadway and trees and sky visible behind the invisible man and his bike this image creates a sense of wonder.

Idea Two: Use the simple image of a circular magnifying glass balanced in the gutter of an open hardback book to obtain a surprised look from your friends. This straightforward image leads to fascination because the shadow of the circular magnifying glass has a heart-shape. The mind is intrigued by the appearance of a circular object with a heart-shaped shadow.

Idea Three: Can a partially peeled banana perch on one of its peels while shooting forth small sliced pieces of banana? When each piece of the banana appears to be part of the original whole banana, the viewer will be mystified and delighted with the image.

Idea Four: Surprise your friends with an image of a computer monitor screen which has a very unusual single pop-up window on it. The unusual part of the image is that the pop-up window appears to be held in the palm of a hand. The image shows the photographer's left forearm held outward toward the monitor screen with the left hand facing the viewer. Could the hand have gotten inside the monitor screen? If not, then how did the pop-up window come to be located inside the palm of the hand? Puzzle your friends with this image.

Al A Bagdonas is fascinated with creating special effect images through the use of Digital SLR cameras. For more information see http://www.wonderland-photo-info.blogspot.com/.


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